Bighorn sheep graze on the last of the green grass on Gets-Struck-By-Lightning Mountain in the late fall. Two Hawk's father and older brother, Night Heron, set off through newly fallen snow to hunt with their dogs. Two Hawk is sad to be left behind, but he has heard the bull elk's mating call for only seven seasons, too few to be old enough to hunt. So begins another day for a boy of the Tukudika (Sheep Eater) Shoshones, living in the traditional ways in what will one day be known as Yellowstone National Park. Two Hawk is learning those ways, accompanied by his dog, Gypsum, and a talkative magpie whose secrets only Two Hawk can hear. His adventures, beautifully illustrated by David Joaquin, show Two Hawk, and the reader, the meaning of rituals and responsibilities and the mystical origins of Two Hawk's name. Only the appearance of the hairy-face man who crosses paths with Two Hawk's family suggests the vast changes that are soon to shake the Shoshones' world.

This volume is the first summary and synthesis of the rock art of the American High Plains, from Archaic times to the historic period. Even more, it presents an engaging combination of Plains archaeology, rock art sites, and holistic archaeological research. This refreshing approach to rock art studies reminds us that archaeologists glean information from the whole site and everything that may have occurred there, rather than simply focusing on the images on stone. Clues to understanding rock art can be found in other images, in associated artifacts, and in ethnographic analogy. Archaeologists are shown how rock art integrates with other materials available for study. With each page, the reader will be engaged in a compelling, and comprehensive story that focuses equally on the art and the archaeology of the prehistoric plains.

This volume is the first summary and synthesis of the rock art of the American High Plains, from Archaic times to the historic period. Even more, it presents an engaging combination of Plains archaeology, rock art sites, and holistic archaeological research. This refreshing approach to rock art studies reminds us that archaeologists glean information from the whole site and everything that may have occurred there, rather than simply focusing on the images on stone. Clues to understanding rock art can be found in other images, in associated artifacts, and in ethnographic analogy. Archaeologists are shown how rock art integrates with other materials available for study. With each page, the reader will be engaged in a compelling, and comprehensive story that focuses equally on the art and the archaeology of the prehistoric plains.

From the high plains of Canada to caves in the southeastern United States, images etched into and painted on stone by ancient Native Americans have aroused in observers the desire to understand their origins and meanings. Rock paintings and engravings can be found in nearly every state and province, and each region has its own distinctive story of discovery and evolving investigation of the rock art record. Rock art in the twenty-first century enjoys a large and growing popularity fueled by scholarly research and public interest alike. This book explores the history of rock art research in North America and provides coverage of the subject on a continental scale. Written by contributors active in rock art research, it examines sites that provide a cross-section of regions and topics and complements existing books on rock art by offering new information, insights, and approaches to research.